As a reflection on ‘the idea of choice in the world of torture’, Hangman is a play with one incredibly ambitious agenda. Led by a cast of five eccentric yet recognisable characters and set in a claustrophobic torture facility, the piece’s plot centres on the character of Alphonse, a new torture ‘recruit’, whose first case is a man who simply will not talk. Witty and poignant in equal measure, Hangman proved itself up to the challenge, leaving its audience members with few answers and numerous questions as they exited the theatre.
The Black Box theatre’s intimacy was fully exploited with doors, sinks and walls all incorporated effectively into the action of the play and Al Green’s simple but effective lighting design highlighted the carefully thought-out use of floor space on the part of the actors.
In the part of Alphonse, Luke McMahon proved a solid anchor, though perhaps predictably the ‘personalities’ of the other characters tended to dominate the performance. Andrew Smith in the role of Captain MacDeath was the standout. Smith’s diction, stage presence and commitment to each line transformed the otherwise loud and obnoxious MacDeath into a multi-faceted character.
Last but not least, congratulations must be extended to writer and director Matthew Ziccone for an utterly perceptive, intelligent script. Hangman is a humorous, affecting piece of theatre and a stunning showcase for a group of talented artists.
Hangman closed on Saturday 29 August.
